-40%

Super Baltars Rehoused (7 Lens) 20, 25, 35, 50, 75, 100, 152 1950's

$ 23654.4

Availability: 100 in stock
  • Focus Type: Manual
  • Bundle Description: 7 Lens Focus Optics and OSC Rehoused Primes
  • Compatible Brand: For Arri
  • Compatible Filter Size: 105mm
  • Series: Cinema Rehoused by Focus Optics
  • Custom Bundle: Yes
  • All returns accepted: ReturnsNotAccepted
  • Country/Region of Manufacture: United States
  • Maximum Aperture: T/2.3
  • Mount: Arri PL Mount
  • Manufacturer Warranty: None
  • Exterior Material: Aluminum
  • Condition: No Fungus, Beautiful Optics, Disclaimer: Vintage optics might have yellowing inside the glass, light cleaning scratches throughout, oily iris blades and or blemishes.
  • Compatible Lens Front: 110 mm
  • Year Manufactured: 1950s
  • Brand: Bausch and Lomb
  • Type: Cine Lens
  • Model: Super Baltar
  • Focal Length: Fixed/Prime

    Description

    SUPER BALTAR (Original 1950's) by Bausch & Lomb
    20mm, 25mm, 35mm, 50mm, 75mm, 100mm, 152mm
    SUPER BALTAR (7 LENS)
    - REHOUSED by FOCUS OPTICS, OSC
    •  Super Baltar 20mm T2.3 cf/18” ARRI PL, 110mm Front
    •  Super Baltar 25mm T2.3 cf/18” ARRI PL, 110mm Front
    •  Super Baltar 35mm T2.3 cf/18” ARRI PL, 110mm Front
    •  Super Baltar 50mm T2.3 cf/18” ARRI PL, 110mm Front
    •  Super Baltar 75mm T2.3 cf/22” ARRI PL, 110mm Front
    •  Super Baltar 100mm T2.3 cf/48" ARRI PL, 110mm Front
    •  Super Baltar 152mm T3.0 cf/72" ARRI PL, 110mm Front
    READY FOR FILMING NOW!!!
    Beautiful Optics, Cinema Ready and Serviced by Professional Optics Technician.
    SUPER BALTARS
    by Bausch & Lomb Original Lead Based Optics are a one of a kind lens ideal for feature film, commercials, music videos with very naturalistic warm vibe, cinematic resolve with foreground separation like no other lens in the quiver. Versatile with opened 2.3 stop softer and @ around T4 are sharper. What we’ve noticed with a center cut 2.40 widescreen amazing anamorphic impression from features of focus depth - more condensed center-of focus field. Ideal for
    feature film, commercials, music videos with very naturalistic warm vibe, cinematic resolve with foreground separation like no other lens in the quiver. Versatile with opened 2.3 stop softer and @ around T4 are sharper. What we’ve noticed with a center cut 2.40 widescreen amazing anamorphic impression from features of focus depth - more condensed center-of focus field.
    FEATURING
    :
    • ARRI Cinema Pitch Gear Focus
    • ARRI Cinema Pitch Gear Iris
    • ARRI Steel PL Engineered Mount (shim ready)
    • ARRI 110mm Front Ring (on all lenses)
    • ARRI 105mm Filter (Thread Internal dia)
    • Re-Painted Markings & Barrels
    • Refurbished Movements & Iris blades
    • Hard Stops inside Focus Mechanisms
    • Professionally Matched from multiple sets
    • Custom Lens Case (Foam Fitted)
    When working with lead base lenses. In the history of cinema with the use of motion picture film technology celluloid and crystal silver halide. The lenses were created for the optimal performance of a prismatic alignment appropriated for the actual film plane to be exposed to light and it’s necessary dimensional surface. It is our opinion that original lead-based glass produces an effect totally un-paralleled forever more. We specialize in assisting Cinematographer and Director with the very feel, look and mood they are after! Cinematic performance is a guarantee from Original Lead-Based Optics, Un-matched by any man-made modern machine. These lenses live forever more - future proof with legendary roots from optical engineering Cooke, Zeiss, Canon, Angenieux, Kern, for the Kodak film plane. Original Super Baltars, Kowa Cine Prominar, Canon K35, Cooke Speed Panchro Lenses were created for the optimal performance of a prismatic alignment appropriated for the actual celluloid Kodak film plane to be exposed to light and it’s necessary dimensional surface captured in motion.